I can’t believe I’m one of those people who is “too busy” to keep up with their blog and then apologizes about it in some very back-handed way through a slightly clever post.
Fresh content is coming soon.
I can’t believe I’m one of those people who is “too busy” to keep up with their blog and then apologizes about it in some very back-handed way through a slightly clever post.
Fresh content is coming soon.
Today I start a new on-going series of posts focusing on visual inspiration. No words, just images. (Although I reserve the right to write about anything more in-depth at a later date.)

(from we love PROPAGANDA Flickr set)

(from MoMA, The New Typography exhibit)
I love lists. Not all lists but “competitive lists.” I remember reading the Book of Lists (and the Guinness Book of World Records) as a kid. I admit I was kind of nerdy (some may say I still am) but I love reading through lists. I look forward to the end of the year in anticipation of year-end “Best Of” lists. I make my own — I may pretend someone is interested and actually publish them this year.
I’m not surprised then that I have three separate lists open in my current set of 40+ Safari tabs. I wouldn’t think a list would be an easy template to use for developing content but web sites are always publishing lists. I always read them and I always plan/hope/dream that my name and likeness will appear on one (or more) one of these days.
I just finished reviewing the recently published Austin American-Statesman Out & About 500 which “recognizes those among us who are everywhere, all the time, often doing good, weaving the social fabric of Austin.” I’m not too sure what that means but they have enough categories (all 15 are listed on Michael Barnes’ blog) and people (500 individuals and couples) on the list that I don’t see why I can’t be on it next year.
Although it was published in January, I also finally read through The New York Times Style Magazine’s Nifty 50, a review of America’s up-and-coming talent. I thought they developed an interesting list covering photography, art, dance, music, acting, food, and sports. I don’t think I uncovered anyone new to me but “future prognosis lists” are one of my favorite types of list and this one was worth reading.
The third list I had open was the Fast Company 100 Most Creative People in Business 2010. I immediately have a lot of questions about a list in a business-focused magazine that contains Lady Gaga and James Cameron in the top 10 but they also included people like Aaron Koblin, Zachary Lieberman, and Yugo Nakamura in the 100 so I guess they didn’t create the entire list based solely on selling more copies of their magazine. To be completely honest, this might be my favorite list of these three because each profile has a “mash-up” feel that includes the person’s Twitter feed, an image gallery, Wikipedia entry, Flickr feed, blog, and Google news. I don’t have to research anyone on the list because all of their public online information is right on their profile page. I appreciate that Fast Company provides all this information instead of making me search for it myself.
I hope you don’t think any less of me now that I’ve come clean about my list fetish.
Although it’s not fair to completely blame the kids (there’s also a general lack of money and the large amount of work I need to get done), a schedule like the one below makes me long for more free time. Right now, as of Tuesday night, I think my best bets are the Luke Savisky show on Wednesday and possibly the Cave & Mountain Tour on Thursday.
If you have the time, I’d suggest checking out any of these events. And if you go, let me know how it was.
Also, after I get paid at the beginning of the month, I intend to back The Church of the Friendly Ghost’s Kickstarter project to host a three-day New Media Art & Sound Summit.
A lot of cool stuff is happening in this city.
The first in a series of art exhibits and other events that you (and I) should go see.
Arthouse is planning on temporarily closing in order to expand and renovate their building. Their plans, developed by Lewis.Tsurumaki.Lewis, will triple the space and add artists’ studios and two screening rooms. This expansion is not news. The news is that they’re going out with a bang by presenting Liz Glynn’s ‘24 Hour Roman Reconstruction Project’ on September 26. The project, recently part of of the New Museum’s ‘Younger than Jesus’ show, attempts to build a scale model of Rome in a day. At the end of the 24 hours, all the performers destroy the model. The Arthouse version also promises related musical performances and poetry readings along with other related events.
If this performance and a recently announced visiting lecturer series are representative of the types of work they will be presenting while they are ‘closed’ and after, Arthouse is going to seriously raise the level of the contemporary art scene in this city in the upcoming year. I look forward to it.
High on my lengthy list of dream jobs is type designer. I think I’d be quite happy working at an independent foundry designing typefaces all day long. I’d definitely specialize in designing slab serifs. Then again, I probably don’t have the patience for the details involved in designing quality type families. Also, it’d be nearly impossible to compete with these two recently released typefaces.
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Kulturista is a new typeface designed by Tomas Brousil. Unlike the majority of slab serifs, I could see this one being used in body text along with the traditional display usage mainly because of its open letterforms. The serifs are longer than normal and help create more angularity to the typeface than found in a traditional slab serif.
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The other recently released slab serif is designed by Hoefler & Frere-Jones. One of the most consistently great type design firms in the country, they don’t disappoint with Sentinel. It’s not as geometric as Kulturista, but instead softens the classic slab serif. It was designed to be a dependable choice for both test and display. To me, the typeface reads as a distinctive serif face at text sizes but still maintains the expected boldness of slab serifs in the display sizes.
Maybe this post is just a long way of explaining that if you are planning on working with us soon, you will definitely be reviewing at least one mock-up featuring these typefaces. You have been warned.
Although I hate to appear like such a big geek, I’m excited about HTML 5. I’ve only read about a couple of the new features and I think it’s about a year away from being official, but I think it’s going to seriously change how web site work.
The new <video> tag is probably my favorite. The tag will allow you to embed video and audio files on web pages with the same ease of adding images. The video is encoded with the Ogg Theora and Vorbis codecs; they’re open source, no Flash, no Silverlight, no Quicktime, in fact no plug-ins necessary. As you may know, Firefox 3.5 will soon be available and it uses the new <video> tag. Webmonkey recently interviewed two Mozilla guys about the current status and future plans for the video codecs and the <video> tag. Once you download Firefox 3.5, go visit DailyMotion or the YouTube demo to see the future of online video for yourself.
Of course, there are other new tags that are part of the HTML 5 spec. Many are dry and boring but some of the others have a lot of potential. A recent article by Tim O’Reilly outlines many of the new features and discusses how Google is “betting big on HTML 5.” I myself look forward to checking out the <canvas> and <database> and I think the geolocation APIs will interest a number of the faculty over at UTSOA.
If you still haven’t had your fill, swing on by the html5gallery to check out hundreds of submittals all incorporating aspects of HTML 5. If I see anything super-cool over there,I’ll make sure I bring home a
Although I spent 45 minutes in line to register and then went to one session, Try Making Yourself More Interesting [podcast] (sadly missing David Rees), on Friday, I consider Saturday as the real start of SXSW Interactive. My first session of the day was Tips for Making Ideas Happen [podcast] with Scott Belsky of Behance. I knew Behance from their Action Pad, but Scott began his seminar with a review of Behance Network, a gallery site that allows designers to highlight their portfolios and projects. It’s a nice community resource for some inspiration.
Scott’s presentation centered around his company’s interviews with creative people. The research showed that ideas were realized in environments with a good combination of organization, communal forces, and leadership capability. He suggested that we try to generate ideas in moderation because a constant stream of ideas, no matter how good, will mean that no one idea will ever be pursued. He also suggested that you share ideas liberally, even before you think they are “ready.” If you share ideas then the people you share them with will hold you to them. (And you’ll see what sticks.) Finally, make sure you value the team’s immune system — the system (or person) that kills ideas is not worth pursuing. Bad ideas distract you from taking action on the good ideas.
The presentation reminded me to do two things: publicize my productivity and overcome the stigma of self-marketing. Together I think both of these ideas will seriously help in achieving my current work and freelance goals. Self-marketing has always been difficult for me as I’m oddly uncomfortable when someone compliments my work. Actually promoting my work and my killer skill set seems completely foreign to me. I’ve always worked under the assumption that my good work will be rewarded. That hasn’t always been the case so I think I’m ready to see where this new self-promotion path may lead.
Curating the Crowd-Sourced World [podcast] with Jen Beckman of 20×200 as the moderator was one of the sessions I really wanted to attend. Also on the panel were Paddy Johnson (Art Fag City), Nion McEvoy (Chronicle Books), Dustin Hostetler (skinnyCorp/faesthetic), and Gina Trapani (Lifehacker.com). Beckman moderated the panel by asking a series of questions about crowd-sourcing experiences. Although I still have reservations about the value of crowd-sourcing, I came away from the panel thinking that the panelists think crowd-sourcing is an interesting and worthwhile development in the online community. As Beckman mentioned, a lot of people doing a little bit can do more than a single person doing a lot. But while each panelist was allowing crowd-sourced ideas and work to influence their thinking, they all curated the crowd at some point; nothing is purely crowd-sourced. I enjoyed this panel although I would have liked to see more specific examples from 20×200 or threadless. Someone who could have presented an in-depth example of a crowd-sourced project would be the Brooklyn Museum’s Shelly Bernstein. Among other projects, she was responsible for organizing Click!, an entirely crowd-sourced museum exhibition where the audience selected the photographs that appeared in the exhibition through a social media voting system.
Afterward, I realized I should have asked about Internet surf clubs like Club Internet, Spirit Surfers, and ffffound. [I'm missing the best known example. I'll add it if I can remember the name.] I’m not sure if these groups are specifically “crowd-sourcing” but I think they are far more relevant to this discussion than all the “questions” that were “asked” by idiots hyping their own projects during the Q&A session.
Paddy mentioned a new project which she recently launched, a crowd-sourced map-off between James Turrell and Alice Aycock to see which artist has the largest number of public sculptures captured on Google Maps. People who have seen art by either of these artists will nominate the work for inclusion in to the map and after a set time period, the artist with more work on the map will be declared the winner. This project is a perfect example of the “a lot of people doing a little bit can do more than a single person doing a lot” philosophy that Jen Beckman mentioned. The project is now complete (James Turrell won) and Paddy has a summation of her experience with the project.
After lunch and missing Tony Hsieh of Zappos.com on purpose (although everyone raved about his presentation), I headed back into the fray for From Freelance to Agency: Start Small, Stay Small [podcast] with Jeffrey Zeldman (Happy Cog Studios), Roger Black (Roger Black Studio), Kristina Halvorson (Brain Traffic), and Whitney Hess. I only stuck around for about 30 minutes, because I wanted to get in on the action at the BikeHugger BBQ, but I was very encouraged by what I heard. I like the panels that remind you that you’re heading in the right direction and to just keep working hard.
I wasn’t planning on taking notes but I whipped out the notebook because all the panelists were on topic and full of words of wisdom:
I returned from the BikeHugger bash to catch another panel I had high on my list, Social Media Nonprofit ROI Poetry Slam [podcast]. In retrospect I should have been much more wary of this panel as last year many of these same panelists appeared on a panel titled Pimp your Non-Profit Web Site dressed as pimps. This year’s panel forced the panelists into presenting their programs and ideas in verse with three other panelists “judging” their presentations and programs. To write that it was a horrible idea would be nice. I want to blame Beth Kanter as she was involved in both of these panels but she also has a big, big following in the online non-profit world so she must be doing something right. The entire session was hard to follow and I couldn’t capture any new ideas from the panelists which was very frustrating. I kept hearing how social media was good for community-building and communication but not actually raising money. Also, most of the judges’ comments were directed at how the organizations needed to track success better even though the title of the panel suggested we’d be learning about how these organizations did track their ROI for these projects. I don’t mean to suggest that the panelists don’t have their hearts in the right place. I can remember how stressful and frequently unrewarding non-profit work is and it’s always good to have some fun but the “main” non-profit panels of the past two years have been amateur hours. Hopefully next year if this group of non-profit professionals presents a panel again, they’ll take their session seriously and focus their time on preparing their remarks in a more professional manner instead of trying to format Dr. Suess style rhymes. The gimmicks are distracting and misrepresent their and their community’s hard work in the non-profit world.
For this panel, the best comment award goes to David Neff of the American Cancer Society who stated that “hopefully contact through social media is the first step in building a real-life relationship.” And the best site award goes the the American Red Cross Disaster Online Newsroom, a blog that combines official news from the Red Cross with Twitter, Flickr, YouTube, and podcasts from the community and volunteers in the field during disasters. In providing first-person reporting from the scene of a disaster, the Red Cross provides an invaluable resource in helping people connect with each other and with any assistance they may need. The Newsroom doesn’t try to force some new dynamic out of these products and instead uses social media services as tools for connecting people in times when connections are vital.
This year’s SXSW kicked off yesterday. Look for updates from our man in the field, Christopher Rankin, in the days to come.